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→Die Auseinandersetzung um den Orgeleinbau
::'''1. Manual: C-f3'''<span style="margin-left: 90px;">'''2. Manual: C-f3'''<span style="margin-left: 110px;">'''Pedal''':</span><br />
::'''1. Manual: C-f3'''<span style="margin-left: 90px;">'''2. Manual: C-f3'''<span style="margin-left: 110px;">'''Pedal''':</span><br />
::''Principal 8´''<span style="margin-left: 135px;">''Gamba 8´''<span style="margin-left: 125px;">''Subbaß 16´''</span><br />
::''Principal 8´''<span style="margin-left: 135px;">''Gamba 8´''<span style="margin-left: 130px;">''Subbaß 16´''</span><br />
::''Konzertflöte 8´''<span style="margin-left: 110px;">''Gedeckt 8´''<span style="margin-left: 120px;">''Violoncello 8´''</span><br />
::''Konzertflöte 8´''<span style="margin-left: 110px;">''Gedeckt 8´''<span style="margin-left: 120px;">''Violoncello 8´''</span><br />
::''Salicional 8´''<span style="margin-left: 130px;">''Aeoline 8´''</span><br />
::''Salicional 8´''<span style="margin-left: 130px;">''Aeoline 8´''</span><br />
::''Octave 4´''<span style="margin-left: 140px;">''Spitzflöte 4´''</span><br />
::''Octave 4´''<span style="margin-left: 145px;">''Spitzflöte 4´''</span><br />
::''Mixtur 2 2/3 dreifach''<span style="margin-left: 100px;"></span><br />
::''Mixtur 2 2/3 dreifach''<span style="margin-left: 100px;"></span><br />